digitaline aka gregorythme and laps are one of the great discoveries of lucianos cadenza imprint. after their amazing >rubicube< 12inch the switzerland based duo will release a whole album on cadenza and the minimal nation is going mad from the first plays so far. we are proud to present the first solo twelveinch of laps aka laurent bovey. the straight pumpin but finest minimal structured a1 track fog off will kick the cat for sure. 8 minutes are just too short for that kind of beast- to be played any time! with b2 laps double kicks it digitaline- wise- a deep subbass hymn your ears will wake up with the next day

ultraphat teaser track to the upcoming koletzki album... limited pic disc edition ...grab your copy, but be fast, it will never be repressed!!

the green men are sasse and nick chacona and their debut production for the label is nothing less than spellbinding. its deep and its very definitely dubby, but most of all >blink< rocks so hard it hurts. featured on the forthcoming buzzin fly volume 4

something slightly different perhaps, but probably even more cutting edge and effective. from definition records we present christian fischer. he is probably one of the most open-minded techno artists around judging his numerous releases which covers just about all aspects of techno music. miracle places is solid stomper with electroid influences and dreamy vocals. this would definitely not be misplaced in a dj hell or terence fixmer set. the b-side is a collaboration between fischer and newcomer the ascent. this results in a dark driven and steady stepper with freaky melody. a solid b-side track for the little hours accompanied by smokemachines in full throttle and full on strobe-action

nice building techno track (one sided) on this obscure release.. no additional info on the label or artists but its strictly limited to 300 copies. a different version of this 9 minute anthem will have an official release on another label soon. cool record that will kill it on the dance floor and even tho that logo rip-off is very much 90 style its still kind of funny

nicolas masseyeff is vedrenn and >sound is the curey< is not only wise word but also his second single on zoo brazils john henry label after the burning >shift comannad< released last year. nicolas adds his very own musical grammar to the elcetro tech circus. dark, forcing, atmospheric and surprising... big with oxia, huntemann, miss kittin

the sebo k and metro partnership makes its debut on get physical with >transit<: these upcoming house producers are so hot that this ep almost melts the vinyl that its pressed on! transit looks to the past and the future at the same time: inspired by old school chicago house but boasting a modern techno approach to arranging, the nagging bass riff at the heart of >transit< builds and builds along with sebo and metro s evocative chords to create a track that will raise the roof on any club during the peak time. >transit< never loses its raw, hypnotic groove either, and after it reaches a climax, the sparse, raw rhythm is still there, urging the dancers to keep moving. philly producer king britt dons his scuba hat to provide the remix: its more understated than the original version, based on an off-beat groove, but, like a thief slipping through an open door in the middle of the night, britts reshape gradually introduces the hypnotic chords. before you know it, his remix will have seduced any crowd who love deep, electronic house music. get a move on to pick up on this future house classic!

support by oliver koletzki, inaqui marin, angel molina… marc marzenit is without a doubt one of the covered ones of the electronic scene of dance for this 2007. spheere is track 100% marzenit, great melodies and arpeggios, explosive hit, crescendo continuous and hipnótic to the maximum. today is yesterday - claustrophobia-rmx is governed more by similar patterns but less serious than spheere, and with a definitive attack to the jugular one in its culminating point. today is yesterday - original rmx- adopts melancholic forms with a minimalistic suit in the less contemptuous tone of the word. this does not sound like a regular record? then in the cover and the label it puts it well clear r-e-g-u-l-a-r

franck roger keeps this one deep, but it will work in the peak time! real tone records presents franck roger >rubycube< and >stolen moments<. deep house heads beware, this packed with energy and will fill the floor!

another superb two tracker from the french master, 2 tracks designed for the best dancefloors around the globe, the title sounds a bit scooby doo but the track is all about deep soulful underground house. franck hits the spot on rawsome with a perfect balance of hypnotic electronic elements and souful deep house attitude. a must for fans of kerri chandlers recent output. on the flip the spot hits just that and is another perfectly balanced deep electronic soulful house anthem. unmissable!

dj jeroenski is one of the biggest talents of the dutch club scene and not only a hugely popular dj in his home country but also a fast rising international producer. jeroenskis latest offering on device records literally has lust for life written all over as it oozes with plenty of feel good energy.the electronic mix is an upfront slice of instrumental house with punchy beats and an electro spiced melody. the original is the smoother version and creates a vibe that will go down well with the more soulful.

to honor zumbis tale, we re grateful for the contribution of two of europes finest producers. berlin based henrik schwarz is a long time aficionado of funk, house, disco, jazz, techno and soul. exploring those musical forms and pushing the boundaries in between is his humble mission. his adventures into hi fi are truly amazing and pure bliss. once again hes blessing a vinyl with an enormous remix treatment! and last but not least back by popular demand, enrico volcov! milanos soulbrother with the midas touch, known for his outstanding production work on projects such as rima or his current isoul8 on sonar kollektiv, drops a deep and growing house rework in approved manner

his name is rené breitbarth, he s from cologne/germany, living now in berlin, he s quite well known already, of course, and he s been into making music for quite a while now. he also co-founded other labels, but we from neopren are tolerant and like him all the same… we all have to collaborate, other labels are friends and not enemies, and the neopren-records are easy to recognize anyway, thanks to the wonderful artwork! this 007 >graveyard swing< .release consists of two fantastic, pumping minimal tracks. the bassdrums go as deep under your skin as the most expensive bodylotion, the entire bouquet of the tracks is nicely balanced, and an entire basket full of rippling pearly ingredients will make many of you ask yourselves the >wuttisdatsound<- question…

return of one of the most prominent characters in house music elbee bad has been around for ever and with a discography that reaches from nu groove to gigolo has had his fair share in the developement of house music. now he stands in the limelight again with a versatile four tracker that gets already thumps up and plays by sven vaeth. victorious is offered in two mixes and if you like some beauty within your house the video mix is for you beautiful layers of strings, classic piano. a crowd favourite the epic build ups and drop ins over a stomping beat. the blazin brooklyn mix hits you from a tribal point of view it holds on to the beauty of orchestrated music with all the string backings in the mix but strikes with a harder, more percussive beat. the tribe vibe on the flip has elbee yelling on the mic asking over & over again do ya ll want this party started” accompanied by a stripped down, devasting beat the answer can only be yes. bonus track is conny, elbees tribute to fingers inc. the classic donnie sung by robert owens is reshaped from a mr. bad point of view and layed straight up over a famous dj falcon instrumental rough and rugged, just real house music

this ep is pure classic disco dj weapon. a side is from probably the best known disco group of all time, can you guess who? but forget those cheesy vocals! b side is truly classic sounds from 1780 and 1890! but they re beautiful and funky, whats to say? 126 bpm plus 95, and 89 bpm. watch the dancers all go crazy. music you just cant make on a laptop, and thats why its so good

stanny franssen is back. after a silent period for over 2 years, this will be his first solo release again. and be prepared for something else. its still of the highest quality but a lot deeper and more up to date..

big with: roman flügel, sven väth, laurent garnier, tiga, hell, oliver koletzki stephan bodzin is going to be one of the biggest name in techno 2007! that s for sure. his countless productions and co-productions have created him a very illustrious fan base including the biggest names in the business. he invented his very own and outstanding definition of electronic music – released on labels like spiel-zeug, giant wheel, confused, systematic or get physical to name just a few. in 2006 he launched his own label called herzblut. this all sounds like a standard phrase for info texts, but in this case it simply is the truth. the next big step for stephan is to release his very first solo artist album called >liebe ist…< soon to be out on herzblut on triple vinyl and cd...!.…

incl. amazing audiofly mix !!! played by oxia, stephan bodzin, mike monday the italian super producer remo strikes back with another sure shot of dark and electro soaked house monsters – most of you will remember him from his collaboration with chelonis r. jones on giant wheel. big ball bass-lines are fighting against each other while a stomping beat and sci-fi synth sounds hold it tight. on the flipside no one else but uk upstarts and prolific producers audiofly (get physical, tsuba, connaisseur, …) deliver a super hypnotic and driving remix. smooth arpeggios and a slowly building melody make this a floor shaking bomb! not to be missed.

attention: it s nu-rave time!! sureshot for all fans of klaksons, kitsune, erol alkan. ed banger !!! next up on 12 inches we release a song from kim. of the presets and modular fame. whoah kim your a party machine! a lot of kim music is making us shake lately but this one especially makes your brain shake. it starts off with a din din da da da da din din of a steel drum and some bongo s and rolls and rolls like indy basement jaxx techno making you feel like you are in some kind of psycadelic carnivale in brazil in a moshpit or something, the vocal screams, >by the time they reach you i ll probably be dead< it s the kind of song you would be listening too if you were to be stuck in a hotel room surrounded by hot naked brazilian strippers doing coke off their asses and tits

hot hit remixes by d.i.m. ,tomas barfod & surkin if you don t understand chromeo it s obvious you are a racist. only racists and deaf people are immune to the montreal duo s funky funk. but because everyone at turbo can both hear... and believes in racial harmony and equality for all. we dig chromeo.... and are proud, nay humbled, to >drop< their first single off the desperately anticipated second album: fancy footwork. what makes this >footwork< so fancy you ask? racist scum... step the fuck off and open your heart to the finest distillation of minneapolis groove since mazarati. the chromeo boys are back in the o-sept to heal the fractured soul of dance music. teenage lovers, 20 something blogpoders, 30 something burn-out ex-raver >graphic designers< and 40 something afro-americans can all finally party under one roof... and that roof has a name, and that roof is on fire, and the only ones who can put out that funk-fire also happen to be the guys the roof is named after: chromeo - going to be huge !!!

wings - another doubletracker from andrei zakharov aka an-2 on his own theomatic. this record as well as the previous >diva< is performed in diptych concept which means that both tracks have common elements and build perspectives to the same idea but from different points of view. slow, hardstepping and austere fatal version vs. light and bright vital version. musically both tracks is a versatile combination where funk and disco organically intergate the techno elements... support from sasse & c-rock

house music at its best ! the a side start with the real floorfiller >keep on keepin on<! after a deep intro, this track get huge with its hypnotic synth. and the a2 track >catch the worm< continues in the house vein, but with a nu disco touch. a perfect link between all ny city producers, from mr v and masters at work to metro area ! the b1 >remembering mr k alexi shelby< sounds like a perfect tribute to all chicago masters. and with the b2 >spaghettidisco<, the cave bear cult get back to the 80s with a warm italo track. an ep for the like of pete herberts and reverso 68, metro area, lindstrom and prins thomas, mr v, louie vega, osunlade, house, italo, nu disco, chicago and ny house!

kim from the presets delivers a quite bigroom acid version of this new single from tomboys debut album >serios<. but the true club bomb is the tomboy ta-ram remix: this tribal-techno-funk tool is already getting euphoric reactions

teenage bad girl is french duo guillaume manbell & greg kazubski. some say they are a genetic mix of daft punk, aphex twin & the stooges, anyhow they are part of the new french electro nouvelle vague , together with digitalism, kitsuné, justice, para one , modeselektor & a few others, they can blow any dancefloor... if you see them in a club near you, be there ! so far they ve only released one 12inch called hands of a stranger , but it s quickly becoming one of the hottest songs on the dance floor. and they just done a remix for the scissors sisters... teenage bad girl presents here few tracks from their first album cocotte this beautiful picture disc includes 6 dirt-electro tracks & also some remixes from boys noize, yuksek

when iridite started out they really wanted it to represent a wide selection of electronic music - at the time, many of the bigger labels (and many independent ones too) seemed content to pigeon hole everything, generating sub label after sub label, each with its own micro-scene or genre. over the years we feel we ve done a pretty good job of steering clear of the obvious but we were still lacking a little in one important area - house music. although >ga< isnt straight down the line standard house music, it s instrumentation, simple repeating bassline and beats give forward motion that fits nicely with a more old school version of house along with some percussive vocal stabs and eventually, a huge synth string climax- like a cross between early ron trent, fingers inc and kenny larkin. the b side gives us two tracks from one of the most talented young producers working in the field today - jamie greer, who s tha poke guise gave us one of the highlights of ir004 (uncommon sense), moves >fall fwd< in strong style with his unique take on the (original) detroit sound - remaining completely individual, his sound is instantly familiar and yet never derivative or tired. both tracks have the energy to survive on the dance floor but the subtlety and depth to bear repeated listening at home - proper techno

rock is an atmospheric but kick ass progger with a cool broken beat part in the middle flip over for glass world a great atmospheric track with an electronic feeling

"nice reminiscent of a classic minimal josh wink !! justified cause’s proposal for this ep is to present an exclusive, extended mix of the song >take control< from the 981 north album in the classic 12&#8243; format. we believe the track to be a strong fusion of american house in its deepest style, but made with an exceptional current day minimal production technique. as a result, we hope that besides just being a great dj track, that it will appeal to both types of listeners. as you would expect from the crew down at justified cause… who better to remix this track but our in house jack master, garcynoise who >takes control< of the remix and turns it into an indubitable dance floor filler by also fusing some old school feel with some new school production"

remix-package to one of the biggest wir hits. newcoming talent kab shows some severe skills with a tight remix that keeps minilogues hooklines in shape but introduces them to its unique world of magical flow while pulling off the impossible, he creates a masterbuilder being tense and tender at the same time. jichael mackson on the other hand constructs a relaxed groove rich in texture, pushing the sounds further and further until the final climax while tracing the original material rather emotionally then rationally. minilogue themselves round off the package with a beautifully dashed ambient version

the vinyl boasts not only a club and radio mix, but also a more stripped down, dark and dirty mix for the more depraved of nightclub moments. hes even thrown in a raunchy a cappella to boot! mind if my friend joins in? is one of the most distinctive records you will hear in 2007 and, whilst it is guaranteed to tear up clubs worldwide, it also manages to push the envelope in a time of exciting change for dance music

jay moved through the ranks at juno and with 5 years record shop work experience under his belt jay now has a broad influence base for his current productions. these mainly focus on classic, itaol and nu disco, us, deep, and acid house right through vintage techno and the modern minimal sounds. his recent productions like this fine four track ep combine many of these influences but always lean toward the warm, retro, vintage electronic sounds that first time around he was too young to experience

after freak out here comes the next big tune by supadelics. take a look inside is a great electro-house track with male vocals, an electronic but funky bassline and some nice strings and synthie chords. on the flip there is a fantastic dub by myles dyson, who had several successful releases on his own label plasmapool or karatemusik. his interpretation adds a new bassline and some special effects on the chords and vocals making this the perfect choice for the peak-time. the package is completed with a original dub mix for all who are not into vocals

on the second part of listen to the drums you will find the jazzanova remix again but this time in a dixon edit on the flip trueby trios christian prommers delivers his great drum lesson remix not to be missed

>miscalate< starts off as a smooth, deep house record but quickly chooses a darker path and a big rumbling bassline takes over with sharp electronics following closely behind. as with all the production work of audiofly and paul harris, its the interesting structure and musical side of the track that really makes it stands out. partial arts, a new project from ewan pearson and al usher, take control and not just remix but remake the track! theyve delivered something rather special. a very unique, different and exciting production that will surely be turning heads and pricking the ears of many

movimento a is a tribal based funk track, with a impressive groove. movimento b is a deeper track but also with an excellent drum base. movimento c is the hardest track aimed to the hard part of the set, also with an excellent tribal base

tony senghore is no stranger to the world of electronic house music. after countless releases under various monikers including records for paper recordings, music for freaks, underwater and seasons he now graces john dahlbäck s incredibly successful pickadoll imprint with his particular definition of driving & playful dance-floor insanity. way out is based upon a non-stop bass line and perfectly embodies tony s advanced musical temperement by including oriental melodies and fierce efx. careful you don’t lose control on the dancefloor! ‘way off’ on the flipside displays his ability to combine bass-heavy rhythms with simple, keen riffs – but no less mental for it!

wherever there is a need for bumping house music and kids are dancing to boring grooves, you call shyza minelli. she returns to tuning spork after way too long with two dancefloor bombs that are primed and ready to explode on impact at clubs worldwide. for this release shyza is bringing you a 12 with two different flavours, one on each side. set the limit is the a and haunting me is the b. set the limit is 9 minutes of rippling stuttering unadulterated funk that only tuning spork can give you. haunting me is the b side on this sick 12, but if you were hoping to catch your breath after the a side then you can forget it, this is another crazy trip into nightclub psychosis ! big with ricardo villalobos, mac schneider, dan curtin, luciano !!

big with: damian lazarus, kiki, jimpster, ripperton, p.toile, m.monday daso franke, a fellow well known not only for his fantastic releases on mbf and connaisseur, but also for his furious live-sets, sets out to bring the noise again. after having been inspired by the nerdy world of old-schoolish adventure games for his last release, he uses the dissolute world of absinthe as an afflatus this time. he takes us to a land where alluring little green fairies buzz around and people cut their ears off under absinthe’s massively woozy influence. thujon: the impact of well-made absinthe depends on its concentration of thujon. it can best be described as a kind of heightened clarity of mind and vision. and this is what this track is all about - 100% thujon! louche is the name of the cloudy effect you achieve by adding water to spirits, which contain anise, like absinthe does. this track starts with a low-key groove, which forces up to a mental dance affaire, including a genuine rocking daso-esque break

>be as one recordings< is the newly born label from the israeli dj and producer shlomi aber. shlomi signed to world top labels as >sony / bmg<, >ovum<, >cocoon<, >renaissance< & >audio therapy< to name a few and has released underground milestones as, >sea of sand< and >tel aviv garden<, which found their way into the charts and playlists of many of the top djs and magazines, with support from names such as john digweed, sven vath, dave seaman, pete tong, nic fanciulli, green velvet and tiefschwarz, backed by inclusions in the tastemaker cool cuts, buzz charts, and top sellers to name but a few. shlomi is on a roll at the moment and this release will prove once again why he is the >man of the moment< and will keep his new label expectations high

arturo has been championing the classiest nu disco sounds at his club miocuore in pescara, italy with guests like the idjut boys, stevie kotey, greg wilson, maurice fulton, joakim and alden tyrell and building the most loyal of followings.stevie kotey picked up his album on a recent gig there and the first single svolvaer is destined to take arturo around the world in a bear disco dub spaceship. svolvaer is aptly named after arturos favourite place in norway, a country that has been, in artists originally introduced by bear funk like lindstrom and prins thomas, a musical inspiration to him. arturo adds his own italian flavours though and even bear funk gold artist fabrizio mammarella was enlisted on the guitar lead flipside track rego dancer. its a family affair as they say, but you dont wanna mess with anyone from the capone family

to celebrate the 50th release and 10 years of existence we wanted to showcase something which brought back those early moments of house and techno but still sounded new and exciting. who better to choose for this job than greg oreck with a little help from sasse on the controls..

joakim is back.this time tough, he surprises us with a small pop jewel! but lonely hearts is not a classic pop song, it is much more joakims interpretation of one. a catchy tune, which does not want to be one. an exciting contrast between catchiness and a bleeping onslaught.on lonely hearts, cheesy sounding strings really stand out over a stoic stomping drum beat, dark singing grates against beeping keyboard playing, in the chorus a wonderful melody has a comforting effect over the very sad lyrics.in addition to the album version and the radio edit, the lonely hearts maxi also features the loving hand remix by tim goldsworthy. the musician (lcd soundsystem) and label owner (dfa records) skillfully pulls lonely hearts to the left, brushing it into a dark club track. with the distorted slow motion vocals, the funky bass run and the demanding beats, it is suddenly very close to the sound that already characterized joakims club hits are you vegetarian and come into my kitchen. and you ll also fin a joakim dub of the track. this dub keep the pop side of the song with a more catchy approach for a more dancefloor version of the original and with always the weirdness you use to find now in the joakim production !supported by tim sweeney, prins thomas

james murphy a.k.a. lcd soundsystem releases second album >sound of silver<, it includes the new single <north american scum> and 8 other brand new tracks

nice price deal !!! neztics first vocal excursion started as a remix for shlavens & d lav but soon took on a life of its own. this is a big room and deeper affair than what you might expect from neztic, but this simply shows the diversity of this amazing producer

chicago funksters the greenskeepers bring the heat with their new 3 tracker for dae recordings. the ep starts off in fine fashion with lazy nina, a groovy vocal number that is sure to be a dancefloor burner. on the flip we have bump city, another choice tune with its funky guitar licks and nice vocals. smokin! last but definitely not least is filled up. smooth bass guitar and some tasty drums are the order of the day here

nice price deal !!! our friends from the british island, known for their releases on defected, return with this beauty of a track. we already knew that house is beautiful, but such an amazing tune hasnt kissed our ears for a while. not only a true lady pleaser, but the selection of remixes makes this tune also a must for male dancing feet. the mutants themselves deliver the original and the acid dub and dj electric all the way from moscow (luckystars) gives his warm electronic interpretation of amazing, while london based swedish darling per qx takes it to the bigger and ruffer floors.

the mighty boys, the mighty mighty boys… following up their release together on num limited, zeitgeist, the two funksters come up here with deeper materials. not only it is deep but it marks as well a musical turn which sthlmaudio recordings is taking for the upcoming releases. having jammed together a hundred times with ever feelings and musical inspirations, agnès & ripperton deliver here their deeper works to date. the a side track is a 14 minutes long old school house track recorded and edited live. wonderfuly coming and going pads, stunning classical deep hook, grooving modern rhythm structures and the now known duo s ability to render ever moving tracks full of organic feelings

according to a friend from new york, nick chacona is into hugging, the smurfs, biting people and feeling really guilty about it the next day, chewing his moustache, shaving his head, cleaning up cat piss, noodling disco, crying and sharing. well, he forgot to mention that he’s also been recording some of the finest house music to come out of nyc since 2001. his angel dust swan dive on bear funk back in 2005 established him on the international scene but hes also recorded for labels as respected as compost, mood music, greyhound and 20:20 vision. this release sees him delve deep into the guitar dub house that sits so sweetly on bear funk gold, the regenerated id for a regenerated bear funk. a cambria heights affair is sure to please

hailing from the frozen north of norway, diskjokke aka joachim dyrdahl makes his debut on get physical sublabel kindisch. he comes from one of the coldest parts of europe, but he makes warm, quirky, perkussive grooves with nice heart feelings. supported by chloe, chris duckenfield, ivan smagghe and m.a.n.d.y., of course

detroit s new >soundshift< imprint makes a stunning debut with this intoxicating two-tracker. opening up is the soultek remix of billy dalessandro s smashing >don t sleep< release (which was found in the many sets of dan bell, ame, annie mac & pete tong last month) this mix is nothing short of brilliant and will certainly capture the hearts and sets of all those mathew jonson or loco dice fans out there. it has a subtlety that really creeps up on you and before you know it you re tapping your feet and zoning out listening to the intricacies of the music. truly minimal, there are loads of space within the track which is somewhat similar to the original but still a world apart, particularly in the fantastically eerie synth programming. in the forefront of the song is the shimmering and haunting vocal loop, >don t sleep< which has an almost hypnotic effect. (think richie hawtin in closer) the melody of the title is a delicate affair which sips cocktails in the company of some nicely chosen whirring and echoing noises. the build is effected so subtly it verges on melancholy but halfway through a rumbling bassline, appregiated melody and backbeat hi-hat pattern announce a funkier escalation!!